secondary seventh chord: meaning, definition, pronunciation and examples

C2
UK/ˌsekəndri ˈsevənθ kɔːd/US/ˈsekənˌderi ˈsɛvənθ kɔrd/

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Quick answer

What does “secondary seventh chord” mean?

A seventh chord built on a scale degree other than the tonic (I), functioning as a temporary dominant leading to another chord. Specifically, a V7/V (dominant seventh of the dominant) is the most common type.

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Pronunciation

Definition

Meaning and Definition

A seventh chord built on a scale degree other than the tonic (I), functioning as a temporary dominant leading to another chord. Specifically, a V7/V (dominant seventh of the dominant) is the most common type.

In tonal harmony, any seventh chord (major-minor, minor, half-diminished, or diminished seventh) that acts as a secondary dominant, creating a temporary tonicization of a chord other than the key's tonic. Its primary function is to intensify harmonic motion toward a target chord.

Dialectal Variation

British vs American Usage

Differences

No significant lexical or conceptual differences. UK sources may use 'secondary dominant seventh' or 'applied dominant seventh' interchangeably. US theory textbooks consistently favour 'secondary seventh chord' or 'secondary dominant seventh chord'.

Connotations

Identical technical connotations in both varieties.

Frequency

Equally frequent in specialized music theory discourse in both UK and US academic contexts.

Grammar

How to Use “secondary seventh chord” in a Sentence

[secondary seventh chord] resolves to [target chord]a [secondary seventh chord] of [roman numeral]to tonicize with a [secondary seventh chord]

Vocabulary

Collocations

strong
resolve tolead tofunction asbuilt on
medium
commondiatonicchromaticresolve
weak
smoothanalysisintroducevoice

Examples

Examples of “secondary seventh chord” in a Sentence

verb

British English

  • The progression secondary-sevenths its way to the dominant.
  • He secondary-seventhed the submediant to add colour.

American English

  • The progression secondary-sevenths its way to the dominant.
  • He secondary-seventhed the submediant to add color.

adverb

British English

  • The harmony moved secondary-seventhly towards the new key.

American English

  • The harmony moved secondary-seventhly toward the new key.

adjective

British English

  • The secondary-seventh function is clear in bar eight.
  • A secondary-seventh analysis clarifies the passage.

American English

  • The secondary-seventh function is clear in measure eight.
  • A secondary-seventh analysis clarifies the passage.

Usage

Meaning in Context

Business

Not applicable.

Academic

Used exclusively in musicology, composition, and harmonic analysis courses and texts.

Everyday

Virtually never used in everyday conversation.

Technical

The primary context. Central to jazz harmony, classical analysis, and pop/rock music theory.

Vocabulary

Synonyms of “secondary seventh chord”

Strong

V7 of X

Neutral

secondary dominant seventhapplied dominant seventh

Weak

borrowed dominant seventhchromatic seventh chord

Vocabulary

Antonyms of “secondary seventh chord”

primary seventh chorddiatonic seventh chord (in strict function)tonic seventh chord

Watch out

Common Mistakes When Using “secondary seventh chord”

  • Misidentifying a diatonic seventh chord (e.g., ii7) as a secondary seventh chord.
  • Forgetting that the chord must be a seventh chord (not a triad) to qualify.
  • Incorrectly resolving the chord, e.g., not moving the chord's tritone correctly.

FAQ

Frequently Asked Questions

Almost. A secondary seventh chord is a specific type of secondary dominant—one that is a seventh chord (usually a dominant seventh quality). A secondary dominant can be just a triad.

Yes. While 'V7/X' (major-minor seventh) is most common, theorists also recognise secondary leading-tone seventh chords (e.g., vii°7/X), which are fully or half-diminished.

Identify the chord it resolves to (the target). The root of the secondary seventh chord is a perfect fifth above (or a perfect fourth below) the root of that target chord. For example, a chord resolving to V (G) will be V7/V, rooted on D.

Not permanently. They cause a brief 'tonicization' or feeling of a new key centre, but the overall tonality (home key) usually remains established.

A seventh chord built on a scale degree other than the tonic (I), functioning as a temporary dominant leading to another chord. Specifically, a V7/V (dominant seventh of the dominant) is the most common type.

Secondary seventh chord is usually technical in register.

Secondary seventh chord: in British English it is pronounced /ˌsekəndri ˈsevənθ kɔːd/, and in American English it is pronounced /ˈsekənˌderi ˈsɛvənθ kɔrd/. Tap the audio buttons above to hear it.

Learning

Memory Aids

Mnemonic

Think of it as a 'visiting' seventh chord. Just as a secondary road leads to a main road, a secondary seventh chord leads to a main chord (like the V or another key centre).

Conceptual Metaphor

HARMONY IS A JOURNEY / TARGETING. The chord is an 'arrow' or 'launching pad' that propels the harmony toward a specific destination (the target chord).

Practice

Quiz

Fill in the gap
In the key of C major, a D7 chord is a seventh chord resolving to G.
Multiple Choice

What is the most defining characteristic of a secondary seventh chord?